It’s going to always be changing and evolving for me. I always wanted to be a master at my craft. I was never driven to play music to get women, fame or success as far as money goes. He was always about doing the things that he loved to do. A lot of that is brought on by parents, family and how you were raised. I think about friends of mine who have been so driven by money being their success. I’m always searching to get better creatively.
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That’s the double-edged sword of the whole thing. Sometimes you have paint over it to get to a more elevated piece of art.” It will definitely find a home.Ī friend put it to me this way, “It’s like you’re working on a huge painting. It just wasn’t time for that body of work right now. I still believe in that other body of work. I was wondering, did it hurt to skip an entire evolution of your art by scrapping a collection intended to be your sophomore album? I let a lot of that frustration go, and the record just took on a whole other shape.” It morphed into something else because I never stopped writing. About nine or 10 months ago, I found my spiritual sense again and the record completely changed. And it’s not necessarily straying by doing bad things - doing hard drugs and those kinds of things - it’s more of, when I’m not spending that time to stay close in that realm, I get lost. Faith has been a center of my life and when I stray from it, I get very empty. I wasn’t in a good place mentally for about two years, battling all kinds of different things for different reasons. Did that experience affect the creative process with this record?Ībsolutely. The last time we chatted, you were frustrated over the delay of your sophomore album. I can’t wait to put out these different bodies of work. I feel like I have a ton of colors as a writer. I’ve got three more bodies of work ready.
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I’m basically transitioning my fan base into a whole other kind of sound. It’s erotic in nature, but it’s not putting the woman down. “Come and Get It” is so strangely empowering for women. It reminded me of “Today” by Smashing Pumpkins. “Lipstick” is one of my new favorite state songs. Listen to all that detail! It reminded me of one of my favorite scenes in Ernest Hemingway’s A Farewell to Arms.Īfter catching up on our summers, Kip’s first question for me was, “What’s your favorite song on the record? I’m curious.” In “Magic,” Kip sings, “It’s the way you look when you hold me close When your hair falls down raining glitter and gold Oh, give me some of that magic.” When I heard those words for the first time, I thought, Women should never settle for anything less. But what I love most about Wild Ones is that some of the most imaginative lyrics are saved for the choruses.
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The balance of banjo and steel with lyrics about authentic blue-collar living give the album its country color. Moments of Muse, Bruce Springsteen, Kings of Leon, Smashing Pumpkins, Tom Petty, Steve Miller Band and Avett Brothers can be heard throughout the 13-track collection. When I listened to it for the first time, it was that and so much more.
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Music has always been there for me in times of loss and I had faith Wild Ones would be the answer to my prayers for comfort. I had received a call that my sweet 94-year-old grandmother was in hospice suffering from congestive heart failure and the prognosis was that in less than a week, she’d no longer be with us. An album delay is frustrating for any fan, but I thank God the advance of Wild Ones hit my inbox when it did, just when I needed it most.